Tokyo-Berlin/Berlin-Tokyo was an exhibition showing the 150-year-long history of mutual exchange in painting, architecture, graphic, photography, film, video, and performance. The exhibition comprised over 530 works showing how movements of influencing each other shifted between these two cities and culminated in the upper hall of the New National Gallery with the works of living artists from Tokyo and Berlin.
Finished in 1968, the New National Gallery is Mies van der Rohe’s last and arguably most modernist work. Rather than building walls following or working against this grid, Florian Busch Architects proposed an exhibition design which would not be a top-down implant but translate Mies’s Cartesian grid into an undulating layer, gradually evolving in response to negotiations between the artists, the curators, and the designers.
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