A collection of sources, precedents, ideas, information, images, projects, and events to inspire and provoke University of Westminster Interior Architecture students.
Wednesday, September 26, 2012
Cassia Coop Training Centre by TYIN Tegnestue Architects
Located in Sungai Penuh, Kerinchi, Sumatra, Indonesia, the main idea behind the project is the classic consept of a light wooden construction on a base of heavy brick and concrete. The wooden construction gives a feeling of being within a cinnamon forest. Cassia Coop Training Centre is built around a pair of mighty durian trees, with a scenic view of the beautiful Kerinci-lake in the front and with its back towards lush cinnamon forest. A major challenge has been to create a naturally ventilated climate beneath a roof surface of no less than 600 square meters. Knowledge and experience gained in former projects have greatly aided us in achieving this, through the use of thermal mass, reduction of sunrays and maximized eaves.
Tuesday, September 25, 2012
VOLA 2012 Exhibition
The Westminster/VOLA 2012 Exhibition is on at the VOLA showroom at 32-36 Great Portland Street London until October 19th 2012. The Exhibition shows work from all of the 2012 VOLA Prize Nominees from Interior Architecture BA Honours Course.
Thanks to the installation team including recent graduates Charlie Fish, Rasa Povilanskiate, Nura Idris, Harpreet Lota, Ksenija Zizina, as well as current students Abdi Ali, Nadja Jeppson, Abdul Haji Dheere, and Sonia Chahal.
Thanks to recent graduate Olivia Dunin for the photographs of the private view, above.
Saturday, September 15, 2012
Philip Beesley's Hylozoic Series
Hylozoic Ground, by Philip Beesley
This work is a growing, touring artwork that suggests a new kind of responsive architecture.
It can now be found at the Sydney Biennale (september 2012).
The Hylozoic environment can be described as a suspended geotextile that gradually accumulates hybrid soil from ingredients drawn from its surroundings. Akin to the functions of a living system, embedded machine intelligence allows human interaction to trigger breathing, caressing, and swallowing motions and hybrid metabolic exchanges. These empathic motions ripple out from hives of kinetic valves and pores in peristaltic waves, creating a diffuse pumping that pulls air, moisture and stray organic matter through the filtering Hylozoic membranes. 'Living' chemical exchanges are conceived as the first stages of self-renewing functions that might take root within this architecture.
(Excerpt from the press release for his installation at the Canadian Pavilion at Architecture Biennale Venice 2010 ).
See http://www.youtube.com/watch?v=v86B9Nz_LVU
for an excellent explanation of its layers by its designer, Philip Beesley.
Wednesday, September 12, 2012
walk-on ceramic installation by nathan craven
Sculptor nathan craven has created a series of ceramic artwork entitled 'footing'. the interactive artwork
is built from a vast collection of uniquely-shaped ceramic components which have been placed upon the floor to form each multifaceted unit. Craven both hand-forms, glazes and paints each uniquely shaped ceramic brick featuring in 'footing'. the various components join together in a mat-like structure, awaiting the closer inspection by the gallery goer achieved by stepping atop the bright surface to better examine each unequal unit.
from designboom.
Labels:
ceramic,
colour,
details,
installations,
materials,
sculptural devices
Thursday, September 6, 2012
BLDBLOG
A plug for BLDBLOG
Researching Smout Allen's work for the British entry to the Venice Biennale 2012,
I went to this blog:
http://bldgblog.blogspot.co.uk/2008/07/landscapemp3-interview-with-smout-allen.html.
AA has already made a link to it from here.
It's a seemingly inexhaustible resource: try it!
Researching Smout Allen's work for the British entry to the Venice Biennale 2012,
I went to this blog:
http://bldgblog.blogspot.co.uk/2008/07/landscapemp3-interview-with-smout-allen.html.
AA has already made a link to it from here.
It's a seemingly inexhaustible resource: try it!
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