"The artist dug a crater on the gallery, removing its concrete level. The architecture of the gallery is altered by cutting, disruption, and destructive transformations. 'You simultaneously attacks and fetishizes the attributes of galleries, the qualities that the critic Brian O’Doherty has described as 'something of the sacredness of churches, the austerity of courtrooms, the mysteriousness of research laboratories, something that, together with stylish designs, makes them unique cultic places of the aesthetic' ', writes Jerry Saltz in the New York Magazine."
from SOCKS.
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